musical harmony

[网络] 音乐和谐;音乐和谐性

网络



双语例句

  1. Cage was an iconoclast. He refused to be bound by western musical traditions of harmony and structure.
    凯奇是个反传统的人。他拒绝接受西方有关和声和结构的音乐传统的束缚。
  2. In the recessionary 1970s, the Broadway musical ( adapted for the screen by John Huston in 1982) made room for Roosevelt and ended on a note of harmony between government and private enterprise.
    在经济萧条的20世纪70年代,百老汇的歌舞剧版本(该版本于1982年由约翰·赫斯顿[JohnHuston]搬上银幕)为罗斯福留出了空间,最后以政府和私人企业之间的和解迹象而告终。
  3. As the chakras of your body's system glimmer, their Light resonates a glorious musical harmony.
    由于你身体系统脉轮闪光,它们的光共振一个华丽悦耳和声。
  4. Musical Essence and Moral Music: The Social Functions of the Harmony between Li and Yue from
    乐本与德音:从《乐记》看礼乐谐和的社会作用
  5. We develop a rule-based system for the purpose of analyzing musical examples to extract probabilistic rules of harmony;
    在此论文中,我们提出了一基于粒子群优演算法的模糊知识整合方法,可用于多个模糊知识库的融合之用。
  6. It's more important to combine some music analysis methods such as musical form and harmony according to music characteristics of different creation means and point out relative music expressions.
    更重要的是结合曲式、和声等音乐分析,根据不同创作手段的音乐特点,挖掘它的音乐内涵,并提出相应的音乐表现手法。
  7. His parents began his musical training at the age of four with guitar lessons and influenced his tastes by playing music in the house that was alive with harmony and melody.
    岁时,父母开始对他进行了吉他方面的音乐训练,影响了他室内奏乐的风格,那种充满了和谐美妙的风格。
  8. Harmonies are often absent unless one accepts the musical nuance of imitation as structured harmony.
    除非人们愿意接受仿效结构之美的细微差别,否则和谐之美往往都是不足的。
  9. Musical Aesthetic Viewpoints of the Harmony During the Period of Pre-Qin Dynasty Era
    先秦时期和的音乐美学观
  10. This thesis analyses Tchaikovsky's creative style of opera, ballet music and symphony and sums up his ingenious means of musical expression to reveal the external aesthetic feelings of melody and harmony and the grave, grieved internal ones.
    这里正是通过分析柴科夫斯基的歌剧、芭蕾舞以及交响乐的创作风格,进而探寻其音乐中绝妙的音乐表现手法,从而揭示出柴科夫斯基音乐世界中旋律与和声的外在美以及庄重悲痛的内在美。
  11. This thesis gives an introduction to its composing background and a detailed analysis of its musical form, harmony and playing features.
    文章对其创作的背景、曲式、和声、演奏、风格特点等做了具体的分析与论述。
  12. In the process of musical aestheticism, people alway pay less attention to timbre than to other musical means of expression, such as melody, rhythm, mode, harmony and so on, for timbre is abstract and has no definite meaning.
    在音乐审美过程中,因为音色这一客体的不具象性、无语义性,往往不像其他音乐表现手段(旋律、节奏、调式、和声)引起人们的重视。
  13. He believes that music contains the essential factor-"harmony", if the musical "harmony" were brought into the whole universal society, the whole society would develop harmoniously.
    孔子认为音乐蕴涵着和的要素,将乐音之和推及到整个社会宇宙,能使整个社会宇宙得到和谐化的发展。
  14. In Chapter 2, I analyze the nationality features in his musical creation from the elements of rhythm, harmony, tune and so on, trying to grasp its outstanding originality on the application of nationality musical elements and techniques.
    在第二章,笔者从旋律、和声、调式等诸多创作因素入手,对丁善德钢琴音乐创作中的民族特性进行了分析,力图把握其创作对民族风格音乐要素的应用及创作手法的独到之处;
  15. The analysis on musical techniques sums up important factors in operas that can adequately reveal characters 'personalities, such as melody, harmony and orchestration.
    在音乐分析中,对歌剧中能充分展现人物性格的旋律、和声、配器等要素结合戏剧分析进行总结。
  16. The writer of this thesis holds that the artistic characteristic of 《 The Marriage of FEIGARO 》 lies in the full play of musical peculiarity given by Mozart, also the harmony of music and the expression and portray of the characters.
    本人认为,歌剧《费加罗的婚礼》的艺术特征主要在于莫扎特充分的发挥了音乐的独特特性,在语言的表达、人物形象的刻画、戏剧的展开等方面都具有与音乐相融合的特点;
  17. The Application of Psychology of Musical Education in Teaching of Harmony
    音乐教育心理学在和声教学中的运用
  18. This part consists of six aspects of musical form structure, tonality, harmony texture, melodies, rhythm, sound. The part investigates the application of Hungarian elements through analyzing musical language of Hungarian rhapsody.
    这部分从曲式结构、调式调性、和声织体、旋律、节奏、音色,六个方面着手,通过分析《匈牙利狂想曲》的音乐语言特征,探究匈牙利民族元素在这部作品中的运用。
  19. In this paper, I Analyzed this solo works from musical form, harmony, tone and tonal relations and filled the remained research questions of the pipa playing techniques and the ongoing creation.
    本文主要从乐曲的曲式、和声、调式、调关系等作曲法方面深入研究,填补前辈在琵琶的演奏技法方面及二度创作感受方面遗留的研究问题。
  20. At the micro aspects: First, the paper is in the overall musical form structure analysis, and secondly, analyse the three "Capriccio" in a detailed in-depth from a harmony, musical form, modal tonal, melodic texture, rhythm and beat.
    在微观方面:首先,对三首《随想曲》的整体曲式结构进行分析,其次,从和声、曲式、调式调性、旋律织体、节奏节拍几个方面对三首《随想曲》进行详尽深入分析。
  21. Every piece of works is like a musical charcoal drawing and embodies a perfect harmony, hence presents a clear musical image and content.
    《无词歌》的每一首作品都像是一幅音乐素描作品,在内容和形式上有着高度的辩证统一,表现了较为明晰的音乐形象和内容。
  22. This study on this issue, combined with the actual quality of the situation of most students to develop high school students in various musical activities, the right to enjoy an acceptable measure of harmony function.
    本研究对此问题,结合了大部分学生的实际素质情况,拟定了高中学生在不同的音乐活动中,对和声效果画面性欣赏可接受的尺度。
  23. Next, assumptions of principles of soundscape design is sketched based on musical aesthetic theory, and the variability, abundance and harmony of the soundscape is verified.
    之后根据音乐审美理论提出声景小品设计原则的假设,并对声景小品设计的变化性、丰富度、和谐度三个原则进行验证。
  24. Therefore the application of multiple-voice on most musical creation, it almost adopts the ways of European harmony.
    于是在多声部音乐的创作中所运用的和声,大多是欧洲大、小调体系的和声方法。
  25. His theories for musical composition consist of the principles for tonal material organization, application of harmony, the arrangement of tonality as well as analysis of works.
    兴德米特作曲技术理论包括了音高材料的组织原则、和声的运用、调性的安排以及作品的分析等等。
  26. The present writer analyses creation methods and artistic feature of this cycle by examples through studying the musical form, harmony, tonality and rhythm of this work.
    笔者通过对这部作品的曲式、节奏、复调写作等方面的研究,剖析了这部套曲的创作手法和艺术特色,为以后的演奏分析提供了理论支持。
  27. Are involved in the research process: musical form, harmony, piano accompaniment texture, form, mode and tone of the layout of the piano vocal melody and texture in the melody composed of two Vice-Ministry of digital audio technologies such as composition theory.
    研究过程中均涉及到:曲式,和声,钢琴伴奏织体形式,调式调性布局以及人声旋律与钢琴织体中副旋律所构成的二声部对位等作曲技术理论方面。